Hush the big……. slumber

Something in the woods loves you
something with susurrous hush
hush in communion
hush in gossip swirl
swirl of leaves
swirl of amber crunch
crunch of rugged boots
crung of snaggle-toothed roots
roots baring fingered crowns
roots tapping into earth
earth bares it’s teeth
earth feasts september’s harvest
harvest falls and bares crowns
harvest scythe bears deaths prowl
prowl in frosted trails
prowl in winds sail
sail amber seas
sail on swirling fall
fall to embers hearth
fall to earth’s rebirth
rebirth to silky worm
rebirth to nutrients swarm
swarm of leaves crisp and scrunch
swarm of bees buzz back home
home smell of comfort pie
home stuffed with bellies full
full of whimsy
full of dripping hats and coats on hooks
hooks of umbrellas pointing up
hooks of fingers in come hither crook
crook and crannie
crook and bow
bow out
bow down
down in hidey-hole
down from restless beg
beg of cool breeze
beg of nest of books
books spread whimsy
whimsy cradles inner child
whimsy tucks me in
in the warmth of bellies beast
in the night fall of harvest feast
feast on sleep
feast my eyes too big
big homely comforts
big dreams in slumber
slumber
comforts

Authors note:

The first line is the title of a book I’m currently reading Something In The Woods Loves You

Poem for W3

This did not work out well for the title…..

Britain’s absences speak louder than we ever could

A pregnant silence perched itself a hawk
we lumbered cheek by jowl
a birds eye view of us screeched and squawked
our eyes intent, we prowled
seeking comfort in anything that remained
but parched our tongues twist, dried
words hurt what’s left
what we don’t hear is yet said
we sought the wilderness
but all we found was…

dead.

I was born
larvae
on this island
a carcass
This is Britain.



The UK is one of the most nature-depleted countries in the world.
It is said we’re a nation of nature lovers, no.
We call our teams ‘Lions.’ But we’re liars
there is no lion heart on these isles
just picturesque places people stop by and say, ‘Isn’t it beautiful.’
A snapshot of something green, and people reckon their hearts have been filled
but all I see and feel is absence.

To The Drum Of Slain Beasts

the blush of autumn since passed
the world lay naked
since life found its place in death
seeded with that which will spring
redressing all the ruin
when the earth puts on her blooms
and swathes us all in her scent
while we make smoke of the summer
as if burning incense
to the Gods of hell
and what comes rushing
but the blood of slain beasts
as our hearts beat to the drum
of this machine
we’re surely cradled in

Diary of a superfical cunt

I don’t think I really like nature. It’s too cruel for my soft little half-hearted pitter-patter of a beating fucking heart.

What I’ve really been admiring all this time is the individual animal, the cleaned-up looking images that make the aesthetics of nature look harmonious. That is what I’ve been chasing after, the perfect imagery of all ‘peace’ and ‘green’ and so far removed from the truth of the brutality of it all.

And I suspect that’s also what most others mean when they say they love nature. No, the truth is we only love what we wish nature was like.

People say things like, ‘isn’t the British countryside so beautiful.’ But all I have ever seen in our oh so quaint British countryside is the same greenery turning brown, over and over and over and over…A vast emptiness in which a liminal space hangs between us and the dread we’re so clearly meant to be feeling.

I’m not talking about the brown of autumn as the green slips and slides into reds, browns and yellows. I’m talking about how it looks to me throughout the year. A vast carcass upon which you all stand and talk about how beautiful it is, with the sun glaring in the sky for this one frightful opportunity of light to see a vast nothingness, a desert you don’t see because it’s dressed in shades of green.
Am I really so far removed from the beauty? Is my perception really so out of wack that we can be seeing the same damn fucking thing?

And in my quest for some semblance of life within this rotten kingdom we call united, I have looked to the woodlands (what little there is left) and nature reserves.

And this is what I’ve learnt, there is no real beauty out there that isn’t only surface deep. Underneath it all is the stark truth of an inherently godless world. And if there is such a thing as a God, it’s worse even still because that God made it this way which can only speak to their absurd level of cruelty.

The truth is British people aren’t a nation of nature lovers, we’re a nation of people who think we’re nature lovers. It might behoove us to know the difference.

And many would say this is the rambling of a mind in a current Depressive state, and I’d say I agree, but then I have to ask, am I wrong? Look at the evidence before you.

People will shriek at the idea of insects, worms worming their way underground, death and the maggots that brings with it. Yet that is all part of the natural world, as is disease, parasites and shit.

Don’t get me wrong there are people who genuinely appear to love nature, and I can only look on at them with jealousy because I sure can’t fathom it.
I thought I belonged to that crowd but the more I contemplate it, the more I fight inside my head every time I try to decide if I want to go out into that world out there, the more I’ve come to the conclusion that it truly is superficial for me.

Scratch under the surface a little, I bleed a hatred that I hold inside of me, a resentment toward nature for being so absolutely bloody, cruel and gross.


Nurture to root

Sometimes I wonder if the only gun to my head is civility
Is it wild to be domesticated
or free to be mild
who can know what’s in another’s mind
I can’t play to their whims and dimes
I don’t have the patience or the time
one minute, everyone is fine
the next, a man is threatening you with a knife
and sometimes I wonder if the reflection in that silver
is a man waiting to fight back or surrender
could I be that madman you all talk about
bending to nature
as if his memories hadn’t been erased
therefore, he still knew he was as tree as green should be
nurture intending him to root and roost.

Look at us

Look at us, our crimes loiter in the air
dangerous with intent
but we’ll carry on
skuttling along in our exoskeletons
It’s true, we haven’t really got much choice
so we speed along
looking out of our windows
we undo all that was said
every day
A great forgetting
making plastic hearts to preserve
the life force once organic
and in the stale breath of a museum
the heart of a whale
consumes us
as we pass
A reflection on what makes us human
fading fast
how can we know ourselves
when everything we are connected to is imprisoned?

In the blaze thirst can’t be quenched

It was a hollow cry, for no one could ease the pain. She howled into the night, and he bellowed from the other side.
The crescent of the moon was spangled through the bare branches of the trees; winter had come too soon, that was what Blaze believed, but Willow said this was the way of things now.
Life was becoming death in an endless winter.
Blaze had asked Willow if she couldn’t try putting a more optimistic spin on things, but Willow said she lived truthfully; an optimistic spin would be a lie.

‘Are we to blame?’ Blaze had asked Willow.
Willow slumped down against the rotting trunk of a willow tree, ‘No.’ Willow said.
And Blaze could only believe her because she wouldn’t sugarcoat the truth.
‘Is it anyone’s fault?’
Willow looked around at the cracked earth beneath her feet; the sun was ablaze in the sky, but winter’s soul had shrouded the earth with only shadows of ghosts. And so no matter how much that sun provided its heat, the mass extinction had done its thing. And yes, one day, maybe, life would find its way again, but for now, all that was left was the debris of homosapiens.
Plastic yoghurt pots rolled across the barren land like tumbleweeds, plastic wrapped tightly around the bones of some long-lost animal suffocated from the very plastic that now waved in the wind.

‘I have found you,’ Blaze had told Willow as he held her against the stump of the tree, ‘and so you have found me.’
Willow had smiled sadly up into his broken stare. The lights of his eyes had long gone out, as had her own.
‘Let’s let ourselves go,’ Willow said softly to him, ‘together.’
‘But I thirst for life.’ Blaze had protested.
‘We will thirst forever.’ Willow’s neck creaked as she lowered her eyes.
Blaze held her tighter in his arms, ‘The sun gives us life; we are living.’
‘This is not living, Blaze.’
Willow loosened herself from his arms, ‘Take out my solar panel.’ Her neck creaked as she craned it to look back at Blaze.
‘I…I can’t.’ Blaze said.
‘You can.’
Blaze began to whir, his head shook, ‘No! No! No! No!’ His left eye drooped, and a shard of loose glass dropped onto the cracked earth.

Since that day, a gulf had separated them. Blaze wandered about the cracked, parched plains marching northward on the same journey the trees had tried to make. The scorched bark of trees flaked and clung to their skeletal remains.
Blaze ripped a flake of bark and crushed it in his hands; a poem sought itself out in the through the mess of his electronic neurosis:

I am a refugee marching north on the wind
hoping my seed will disperse
far enough to traverse
these boundaries that will surely kill me
my roots are not fed
and there is no life left
but the wound that has bled
into the rivers
tricking down into the earth.

I could have shaded you from the sun
and thus the wind and the cold
but you let the blood run
never mind the lives slain
all for your fear of death.

Does irony feed you and quench your thirst?
When will you march with the skeletal remains of us?

And it was then that he heard the great despair taking wing into the air. The hollow cry of a humanoid who had torn her solar panel, the dying embers opened her lips, and the cry rang out through the plains of extinction.
Blaze bellowed back, and the moon’s crescent looked on, indifferent.

The willow did weep

‘Our breath steams up the glass, in which we write love notes to nature.’


A pregnant silence held the night, and the machine clutched the people within its many cogs and wheels.

Headlamps lit up his features, a ruddy complexion, with dirt marking the lines on his face. His teeth shone with the yellowing white of too many cigarettes and cokes.
With a brown roll-up gritted between his teeth, he spun the cogs and wheels, occasionally looking at the men and women around him who spun and spun the cogs that turned, making the big machine lumber through the plantation.
He wanted to return to his little room, just up the corridor and around the bend.
He stopped churning the wheel momentarily and held still then, he exhaled a cloud of smoke before him and swiped at the beads of sweat on his forehead.

There was a buzz and then the sound of feet stampeding from their wheels as people rushed out from the mechanical room, swiping their cards in the slot to sign off from their shift.
Atwood followed the crowd, signing off with a great resignation in his soul that this was his life.

‘Good shift t’day, eh? Atwood?’ A woman with long silky black hair asked him; her teeth were white as white can be.
‘Is there such a thing?’ Atwood replied.
Sally smirked, ‘Eh, it weren’t anythin’ we can’t ‘andle t’day. No rough terrain.’ She said, her eyes shifting from Atwood to the men and women signing in for their shift.
‘Reet, true enough, ah suppose.’ Atwood replied.
Sally tilted her head, ‘Do me a favour, At,’ She jutted her chin towards him, eyes narrowed, ‘Quit ya smokin’ will ya! I worry ’bout ya, ya know.’
‘You be worrin’ on ya own life, Sal. Never be mindin’ me, like!’
‘Well, I am mindin’ ya so, I guess ya better listen up, eh?’
Atwood smiled, ‘Reet, so ah will listen. Don’t promise I ‘eard ya though’
Atwood turned to leave, walking up the corridor.
‘I’ll confiscate ya fags,’ Sally shouted after him, humour in her voice, ‘I’ll throw ’em off’t balcony!’
Atwood turned to look over his shoulder as he walked away, ‘Sure, sure, Sal.’

Atwood went to the mechanic’s balcony and looked out in the vast darkness of the night.
Sickness pulled at his stomach, and a heavy sadness afflicted his face.
Leaning over the barrier of the balcony, he looked at the shadows of all the tall conifers that surrounded him.
A tear rolled down his cheek.
He looked up toward the highest balcony on the beast they lived in. Up at the top, the balcony glimmered with a golden glow; the people that headed the government were at the head of the monster they lived in. There they sat in cosy chairs, the brains of the giant robot they inhabited.
A lone owl hooted in the distance with no reply.
Atwood sobbed.
The owl hooted a few more times in desperate need; silence held her loneliness.

The sky held no hope, for the stars could not be seen.
He made his way back inside the machine and lumbered to his room.

Diary of Atwood Harrison:

2nd March 2099

I am restless in mind and heart, besieged by the horrors of humanity. I mourn for things I cannot know in the flesh, and I hold it in my heart that I wish I had never opened up those godforsaken books.
They talk of birds like Starlings that sparkled and shimmered, that flew in their thousands, millions and made patterns in the sky.
They talk of wolves that howled their essence in the wind even longer ago.
Black-tailed godwits, The Curlew, Barn owls, pine martens, otters… The list seems…endless. Yet even they were only a small list of the whole through centuries gone by.
Oak trees stood majestic, windswept. Weeping Willows bent over riverbeds.

3rd March 2099

Oscar came around to my room tonight, and we fucked away our blues, it was at once amazing, and then it was…Shame.

I stared at myself in the mirror for a long while afterwards, my fathers ghost sat behind me – metaphorically for I don’t believe in such things – and I saw his disgust along with my mothers.
Disgust drew itself on my face, and I couldn’t bear it.

I was not the man I had envisioned. The mirror now lays in broken shards, and my hand is bloody.

When down at the cogs later on people gave me funny looks, ‘What happened to your hand?’ Sal had asked me; I told her it was nothing for her to worry about.

7th March 2099

I wept on the balcony, but I couldn’t say what for, but for everything. Everything that I have yearned for and pictured was a significant loss, even though I had never held onto any of it.

The world is a depleted canvas, and I am a hollow man built from masks and false hope.

I told Oscar to leave me alone. He left and then I wanted to beg for him to come back. If only for a night in my bed.

8th March 2099

I keep hearing a lone owl; she cries loneliness. In her hollow sounds, I am reflected.

15th March 2099

I stormed my way to Oscar’s room.

He was angry. Told me ‘fuck off.’

He was right to tell me to go.

I was ashamed of my shame.

19th March 2099

Tonight I stay in my room, where I may safely feel alone.



Oaken solidity

He is a short, twisted masterpiece with a sumptuous carpet of moss to run my branches through.
Unlike some of my brothers and sisters, I am an even shorter, twisted, spindly thing. I am bent and windswept from southwesterly winds, bending up in the search for light.
I have grown unusually close to Druid, and he is windswept.
‘Dru!’ I called after him, ‘A wood pigeon just shat on me.’
Druid groaned, ‘Just another day in the life of a tree, Rowan.’
A Jay landed on Druid, ‘Oh, my mighty Jay!’ I cried.
But Druid stood cloaked in his greenery, which shimmered with morning dew with all his oaken solidity, rooted in stoic repose.
Though I knew the Druid felt the presence of that mighty bird and that he worshipped her so.
And the Jay screeched the echoes of aeons through the sky.